Monday, December 31, 2007

Puerilities

Let's get the most important thing out of the way first: happy new year. It may not seem like much, but I assure you that your probability of a propitious year plummets without Prime's pronouncement of what, for all practical purposes, presents as a particularly pedestrian benison. Now that I've done all that I can do to ensure your success in 2008, let's get down to business.

For the last three weeks, I've been planning on publishing a posting that pertains to something worldly and weighty, a pressing issue burgeoning with relevance and import, an item ripped from the day's headlines. Alas, that sort of thing requires a great deal of thought and effort. Therefore, after a protracted period of procrastination, I'm postponing that piece of punditry, sticking to my strong suit and putting up a posting about something prurient and puerile.

Yes, dearly beloved, we are gathered here today to talk about immortality. Not true immortality, mind you, only faux immortality. On a metaphysical level, we may be numinous beings of eternal light but, for our brief years of terrestrial relevance, our gloriously radiant souls have been sentenced to roam the physical plane as gloriously mundane sausages. We've been placed on this mud ball with no way to circumvent our inevitable demise. Evanescent transience is the hallmark of our mortal coils. However, while true immortality eludes us, faux immortality is attainable. Though our bodies are ephemeral, we continue to live, in a sense, as long as we're remembered.

Unfortunately, memories belong to other impermanent, soul-encasing bags of meat who are similarly completing their journeys from ashes to ashes and dust to dust. Therefore, it follows that if one wishes to make an indelible mark on this world, and attain true faux immortality, one must leave a mnemonic for posterity: Great Deeds or Great Works.

The path of Great Deeds poses some difficulty. Typically, one is required to kill or conquer great multitudes of people to be etched in the collective memory of the human race. Pop quiz, hotshot, which of these people are you familiar with: Genghis Khan, Chester Arthur, Attila the Hun, Lyman Cutlar, Alexander the Great or David Rice Atchison? Even after you Wikipedia the three Americans, you'll have to concede that their lack of an impressive body count has diminished their stature in history. (1) Unfortunately, it's difficult, and rarely acceptable, to kill the hundreds of thousands of people required to be remembered for Great Deeds, so most consider this path to be fairly impractical.

That leaves the path of Great Works. Although there are many branches to this path, the ones that have, empirically, had the greatest chance at longevity are the ones involving things that can be expressed in writing. We still read Homer's "The Iliad", actors still perform Aristophanes' "Lysistrata", philosophers still study Plato's "The Republic" and, hell, Herodotus's "The Histories" was just turned into a major motion picture called "300". (2) Who were the great, ancient actors and musicians? No clue. They didn't leave a written record.

I've recently taken a stab at immortality by publishing a book called "Anal Sex Haiku, Lascivious Limericks & Other Drivel". (Oh, don't give me that look, you knew I was gonna plug it.) While it's premature to speculate on whether my book will ensure me a footnote in the history of the world for time immemorial, it's a good first step. With some luck, perhaps I'll be blessed enough to be a victim of rampant copyright infringement and one of my poems will travel through the eons and delight forthcoming generations. Perhaps people in countries yet unknown, speaking in tongues yet undevised, will be quoting the work of D.I. Prime. In that way, I could live forever. After all, as Rabbi Simeon ben Yohai relates in the Talmud, "If you credit a deceased author when you quote them, their lips move gently in the grave." (3) It's like simultaneously living in this life and the next.

In any event, as I was reading a book called "Puerilities: Erotic Epigrams of The Greek Anthology" - research for a potential sequel - I was given some hope in my quest for immortality. Daryl Hine has taken erotic excerpts from 28 ancient Greek poets and translated them into English. Although these perverts have been dead for 2500 years, their work is still being read and enjoyed today. I want to get a piece of that kind of longevity. Sure, as far as Great Works go, a prurient poem has nothing on, say, the Great Pyramid of Giza, but no one knows who designed or built the Great Pyramid, whereas I can now say that I have an appreciation for the work of Scythinus. As the kids say, "Who's immortal now, bitch?"

While I'm rocking the mic, I might as well include a brief review of "Puerilities". There are 258 English translations of Greek epigrams spread out over 60 pages with the original Greek text on facing pages, bringing the page count to around 120. It was a decent read, but I can't unreservedly endorse this book. When viewed through the prism of 21st-century American mores, its contents are problematic. Most of the epigrams deal with grown men lusting after pre- and barely pubescent boys. Ancient Greek society permitted such inter-generational dalliances. Ours doesn't. (Three cheers for us!) Still, this book isn't NAMBLA propaganda. These pedophiles have been dead for 2500 years and are no longer capable of harming anyone. (4) That being the case, I was able to view the epigrams as a window to historical zeitgeist and appreciate them for what they were. Besides, many of the epigrams were kind of funny. I have a much higher tolerance for jokes about pedophilia than actual pedophilia.

If you can't get past, "Gay pedophilia? Ew!", avoid this book at all costs. Otherwise, hey, it's a classic.


Salivo ergo sum,
D.I. Prime
December 31, 2007


(1) Actually, Lyman Cutlar is famous for his body count. However, as it tallied up to precisely one pig, it wasn't impressive.

(2) Yes, I'm aware of Frank Miller's graphic novel, but I regard it with ambivalence. Herodotus is known as "The Father of History", in part, because he was the first to describe human events as human events, rather than placing them in a mythological context. Contrast that to, say, Homer's account of the Trojan war where the Olympian Gods intervened and took an active role in the conflict. I won't say that Miller was disrespectful to the source material, but adding fantastical elements into the mix seems to violate the spirit of the original work.

(3) Actually, R. Yohai was only talking about traditional statements made in the name of deceased Torah scholars, but it's the principle that's important. Normally, I would dismiss Talmudic lore out of hand, but the very next paragraph talks about how many pubic hairs a 20-year-old is required to have before they can be considered an adult. I'm no expert on semiotics, but I take the proximity of a passage on pube enumeration as a sign from the Cosmos that I was meant to pay attention to the preceding section.

(4) Indeed, given the cultural norms of ancient Greece, it's interesting to ponder (though well beyond the scope of this review) whether the boys were actually harmed or not. In a place where pedophilia predominates, perhaps it's the unmolested who are considered to be harmed.

Saturday, December 8, 2007

My First Rejection

I feel like Pinocchio, gleefully jumping up and down and jubilantly exulting, "I'm a real author now!"

After checking the mirror to confirm that my proboscis has retained its pre-exultation dimensions, I would like to reaffirm the veracity of my initial statement.

The more pedantic among you are probably chomping at the metaphorical bit (or perhaps literal bit if you're a pedantic, B&D bottom) and screaming, "Boy! Not author, boy! Pinocchio was excited about being a real boy!" I am too. I love being a boy. Even though I'm well along the path to dotage, I still swell with an enormous enthusiasm for my boyishness -- especially when my boyishness is enthusiastically swelling to enormousness. But that's a story for another day. I'm not here to write "The Penis Monologues", even though I am an author. I took wooden puppet Pinocchio, pulped him up, turned him into paper and printed up a book called "Anal Sex Haiku, Lascivious Limericks & Other Drivel". In fact, I printed up many books -- boxes and boxes of them -- and now my mission to divest myself of them.

Although I'm a relative newcomer to the publishing industry, I have noticed, over the years, that books are often sold in stores. Pairing this keen observation with my literary superabundance, and applying deductive reasoning of Sherlock Holmesian proportions, I determined that one potential solution to my problem was to get my book into stores. [I know, it seems so obvious once you've heard the answer but, believe you me, it appeared to be a Brobdingnagian quandary whilst I was struggling with it.]

Now, there are some problems with getting my books into stores. First, my book has neither an ISBN number nor a UPC bar code on the back cover. Both of these are impediments to retail success. Second, displaying my book is not conducive to a "family-friendly" retail environment. Although I believe that, given the opportunity, it could be quite successful with a niche audience, it's not the sort of book you can put in the front window or place prominently in end cap display racks.

Unless you're a store that caters to adult audiences. That's why S3 - Safe Sex Store seemed like a perfect fit. In addition to condoms, dildos, vibrators and other assorted sexual paraphernalia, they sell all manner of sex-related books. So, with all of the confidence befitting a clueless, rank amateur, I swaggered into S3 last Friday, confident that I was delivering them the hottest item of the holiday season. I left a copy of my book with the clerk and was told to return in one week for a decision.

Today, I got my answer: "No."

In particular, the owner felt that my book did not fit with the theme of her store: sexual health and education. The Safe Sex Store is a Serious Sex Store, and a book of sexual humor has no place in that milieu. So it goes. Honestly, it was the nicest possible rejection that I could have hoped for; it was delivered courteously, apologetically and for a reason that made sense. I harbor no ill will towards them. I hope you go to their website and check them out if you ever make it to downtown Ann Arbor.

Still, I got my first rejection. I'm paying my dues. I'm becoming a real author.


Salivo ergo sum,
D.I. Prime
December 8, 2007

Saturday, December 1, 2007

Book Errata

The ancient Romans had a saying, "Errare humanum est." It never attained the restroom stall cachet of St. Odon of Cluny's, "Inter faeces et urinam nascimur", but it expresses an equally inarguable truth of the human condition: we fuck up. Despite our best intentions and lofty aspirations to perfection, human endeavors are beset with flaws.

Alas, I am tragically human in this regard. Despite my best efforts, I get things wrong. In the digital world, such as this blog, it is a simple matter to correct any offending glitches post-publication. Not so in the archaic medium of print. Once the ink hits the paper, it is nigh impossible to unfix the blemish from the printed page and right the egregious depredations of misfired neurons and errant fingers.

Which brings us to the point of this post. (1) I wrote a book called "Anal Sex Haiku, Lascivious Limericks & Other Drivel" and I have made an error. Probably more than one. Probably many more than one, but only one that I'm aware of today. As the sagacious Grand Admiral Thrawn once opined, "Anyone can make an error; that error doesn't become a mistake until you refuse to correct it." On the other hand, as Josh Jenkins once said, "To err is human, but when the eraser wears out ahead of the pencil you're overdoing it."

In any event, I'm here to issue a mea culpa and correct my error(s).

If you are among the few, the happy few, (or, to be more accurate, the minuscule few) who have read my book, and have noticed an error, please post a correction in a comment. For, as John Locke wrote, "It is one thing to show a man that he is in an error, and another to put him in possession of truth." I await, with appropriate dread, the opprobrium that I so richly deserve.

[To keep the errata to a reasonable length, let's agree to excuse questionable punctuation unless you find some comma placement that truly verges on the catastrophic.]

To conclude, as Alexander Pope once said, "To err is human, to forgive divine." I beseech your apotheosis and humbly beg forgiveness for the errors delineated below.

The Catalog of Errors:

  1. On page 62, in limerick 486, an extraneous word crept into the last line while another was, simultaneously, omitted. Here is the corrected version:

    Daunting David was hung like a giant And brandished his rod like a tyrant.     He had the respect     Of the locker room set But the women were scared and passed by him.
  2. On the back cover, I grievously misspelled the Latin, legal term, "Res ipsa loquitur". As a non-English phrase, I thought my spell-checker was giving me a false positive when it flagged "Res ipso locutor". Google didn't present me with an alternate spelling and it returned a bunch of hits so I thought I had it right. Unfortunately, there are a lot of sloppy spellers out there.

  3. While I'm copping to errors, I should publicly acknowledge a non-printed error. I hand number the books that I sell in person and I mistakenly labelled two 97's and two 98's. I've skipped #105 and #106 to re-align the book count with the numbering.


Salivo ergo sum,
D.I. Prime
December 1, 2007


(1) Wow. Getting to the point by the third paragraph, that might be a new record.